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The following have been redirected to this article: "Wanna go home, baby?" "The Superior Landlord" "Fragment of a Prologue" "Fragment of an Agon"-->Sweeney Agonistes by T.S. Eliot was his first attempt at writing a verse drama although he was unable to complete the piece. In 1926 and 1927 he separately published two scenes from this attempt and then collected them in 1932 in a small book under the title ''Sweeney Agonistes: Fragments of an Aristophanic Melodrama''. The scenes are frequently performed together as a one-act play.Gallup, pp. 50–51,213–214 ''Sweeney Agonistes'' is currently available in print in Eliot's ''Collected Poems: 1909–1962'' listed under his "Unfinished Poems" with the "Fragments of an Aristophanic Melodrama" part of the play's original title removed. The scenes are separately titled "Fragment of a Prologue" and "Fragment of an Agon."==Composition==The scholar Kinley Roby notes that Eliot started writing the scene "Fragment of A Prologue" in 1924 and wrote to his friend, the writer Arnold Bennett about his concept for the unfinished play. Bennett noted that Eliot "() to write a drama of modern life (furnished flat sort of people) in a rhythmic prose 'perhaps with centain things in it accentuated by drum-beats.'"Roby, Kinley. "Introduction." ''Critical Essays on T.S. Eliot: The Sweeney Motif''. Boston: G.K. Hall and Co., 1985. Roby also points out that the style of the play is frequently associated with the rhythm of jazz music as well as the "rhythm of the common speech of his time." Other critics, like Marjorie Lightfoot, associated the play with "() conventions of music-hall comedy," and she notes that Eliot never wrote another play with the musical rhythms of ''Sweeney''.Lightfoot, Marjorie J. "Charting Eliot's Course in Drama." ''Critical Essays on T.S. Eliot: The Sweeney Motif''. Boston: G. K. & Hall, 1985.
Sweeney Agonistes by T.S. Eliot was his first attempt at writing a verse drama although he was unable to complete the piece. In 1926 and 1927 he separately published two scenes from this attempt and then collected them in 1932 in a small book under the title ''Sweeney Agonistes: Fragments of an Aristophanic Melodrama''. The scenes are frequently performed together as a one-act play.〔Gallup, pp. 50–51,213–214〕 ''Sweeney Agonistes'' is currently available in print in Eliot's ''Collected Poems: 1909–1962'' listed under his "Unfinished Poems" with the "Fragments of an Aristophanic Melodrama" part of the play's original title removed. The scenes are separately titled "Fragment of a Prologue" and "Fragment of an Agon."
==Composition==
The scholar Kinley Roby notes that Eliot started writing the scene "Fragment of A Prologue" in 1924 and wrote to his friend, the writer Arnold Bennett about his concept for the unfinished play. Bennett noted that Eliot "() to write a drama of modern life (furnished flat sort of people) in a rhythmic prose 'perhaps with centain things in it accentuated by drum-beats.'"〔Roby, Kinley. "Introduction." ''Critical Essays on T.S. Eliot: The Sweeney Motif''. Boston: G.K. Hall and Co., 1985.〕 Roby also points out that the style of the play is frequently associated with the rhythm of jazz music as well as the "rhythm of the common speech of his time." 〔 Other critics, like Marjorie Lightfoot, associated the play with "() conventions of music-hall comedy," and she notes that Eliot never wrote another play with the musical rhythms of ''Sweeney''.〔Lightfoot, Marjorie J. "Charting Eliot's Course in Drama." ''Critical Essays on T.S. Eliot: The Sweeney Motif''. Boston: G. K. & Hall, 1985.〕
抄文引用元・出典: フリー百科事典『 Sweeney Agonistes by T.S. Eliot was his first attempt at writing a verse drama although he was unable to complete the piece. In 1926 and 1927 he separately published two scenes from this attempt and then collected them in 1932 in a small book under the title ''Sweeney Agonistes: Fragments of an Aristophanic Melodrama''. The scenes are frequently performed together as a one-act play.Gallup, pp. 50–51,213–214 ''Sweeney Agonistes'' is currently available in print in Eliot's ''Collected Poems: 1909–1962'' listed under his "Unfinished Poems" with the "Fragments of an Aristophanic Melodrama" part of the play's original title removed. The scenes are separately titled "Fragment of a Prologue" and "Fragment of an Agon."==Composition==The scholar Kinley Roby notes that Eliot started writing the scene "Fragment of A Prologue" in 1924 and wrote to his friend, the writer Arnold Bennett about his concept for the unfinished play. Bennett noted that Eliot "() to write a drama of modern life (furnished flat sort of people) in a rhythmic prose 'perhaps with centain things in it accentuated by drum-beats.'"Roby, Kinley. "Introduction." ''Critical Essays on T.S. Eliot: The Sweeney Motif''. Boston: G.K. Hall and Co., 1985. Roby also points out that the style of the play is frequently associated with the rhythm of jazz music as well as the "rhythm of the common speech of his time." Other critics, like Marjorie Lightfoot, associated the play with "() conventions of music-hall comedy," and she notes that Eliot never wrote another play with the musical rhythms of ''Sweeney''.Lightfoot, Marjorie J. "Charting Eliot's Course in Drama." ''Critical Essays on T.S. Eliot: The Sweeney Motif''. Boston: G. K. & Hall, 1985.">ウィキペディア（Wikipedia）』
■Sweeney Agonistes by T.S. Eliot was his first attempt at writing a verse drama although he was unable to complete the piece. In 1926 and 1927 he separately published two scenes from this attempt and then collected them in 1932 in a small book under the title ''Sweeney Agonistes: Fragments of an Aristophanic Melodrama''. The scenes are frequently performed together as a one-act play.Gallup, pp. 50–51,213–214 ''Sweeney Agonistes'' is currently available in print in Eliot's ''Collected Poems: 1909–1962'' listed under his "Unfinished Poems" with the "Fragments of an Aristophanic Melodrama" part of the play's original title removed. The scenes are separately titled "Fragment of a Prologue" and "Fragment of an Agon."==Composition==The scholar Kinley Roby notes that Eliot started writing the scene "Fragment of A Prologue" in 1924 and wrote to his friend, the writer Arnold Bennett about his concept for the unfinished play. Bennett noted that Eliot "() to write a drama of modern life (furnished flat sort of people) in a rhythmic prose 'perhaps with centain things in it accentuated by drum-beats.'"Roby, Kinley. "Introduction." ''Critical Essays on T.S. Eliot: The Sweeney Motif''. Boston: G.K. Hall and Co., 1985. Roby also points out that the style of the play is frequently associated with the rhythm of jazz music as well as the "rhythm of the common speech of his time." Other critics, like Marjorie Lightfoot, associated the play with "() conventions of music-hall comedy," and she notes that Eliot never wrote another play with the musical rhythms of ''Sweeney''.Lightfoot, Marjorie J. "Charting Eliot's Course in Drama." ''Critical Essays on T.S. Eliot: The Sweeney Motif''. Boston: G. K. & Hall, 1985.">ウィキペディアで「The following have been redirected to this article: "Wanna go home, baby?" "The Superior Landlord" "Fragment of a Prologue" "Fragment of an Agon"-->Sweeney Agonistes by T.S. Eliot was his first attempt at writing a verse drama although he was unable to complete the piece. In 1926 and 1927 he separately published two scenes from this attempt and then collected them in 1932 in a small book under the title ''Sweeney Agonistes: Fragments of an Aristophanic Melodrama''. The scenes are frequently performed together as a one-act play.Gallup, pp. 50–51,213–214 ''Sweeney Agonistes'' is currently available in print in Eliot's ''Collected Poems: 1909–1962'' listed under his "Unfinished Poems" with the "Fragments of an Aristophanic Melodrama" part of the play's original title removed. The scenes are separately titled "Fragment of a Prologue" and "Fragment of an Agon."==Composition==The scholar Kinley Roby notes that Eliot started writing the scene "Fragment of A Prologue" in 1924 and wrote to his friend, the writer Arnold Bennett about his concept for the unfinished play. Bennett noted that Eliot "() to write a drama of modern life (furnished flat sort of people) in a rhythmic prose 'perhaps with centain things in it accentuated by drum-beats.'"Roby, Kinley. "Introduction." ''Critical Essays on T.S. Eliot: The Sweeney Motif''. Boston: G.K. Hall and Co., 1985. Roby also points out that the style of the play is frequently associated with the rhythm of jazz music as well as the "rhythm of the common speech of his time." Other critics, like Marjorie Lightfoot, associated the play with "() conventions of music-hall comedy," and she notes that Eliot never wrote another play with the musical rhythms of ''Sweeney''.Lightfoot, Marjorie J. "Charting Eliot's Course in Drama." ''Critical Essays on T.S. Eliot: The Sweeney Motif''. Boston: G. K. & Hall, 1985.」の詳細全文を読む
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